The eyes empty and the pupils burning of rage and desire

      “…the idea is to reduce to the minimum the elements that form the cinematograph device. To work with less elements but having a deep control over it. The limitation of using only 2 meters of processed film stock that becomes totally black is highly stimulating. I’m forced myself to control each frame Read More

 

Without image. Without sound.

Without description.

 

 

 

 

 

 

 

“…the idea is to reduce to the minimum the elements that form the cinematograph device. To work with less elements but having a deep control over it. The limitation of using only 2 meters of processed film stock that becomes totally black is highly stimulating. I’m forced myself to control each frame with all –only- the elements of the projection ,light, shutterand focus…”

                                     Interview with myself

“…then the passionate emulsion turns hot and the excitement is at fever pitch”

                Conversation with the projector

 

 

 

 

 

Screenings:

 

 

 

 

 

Writings about the piece:

Vie et i mort dune image par Ouennassa Khiari

 

https://mubi.com/notebook/posts/rotterdam-2019-cinema-without-a-camera Daniel Kasman on Mubi

 

Ela Bittencourt on Frieze Magazine

https://frieze.com/article/magic-lanterns-afrofuturism-48th-international-film-festival- rotterdam?fbclid=IwAR1L_MkjqBZyxgGvfzZqhAWvrF7EGEBSqRX_CkLAW-S5xGxA8k9B_PuykwM

 

Dan Sullivan on Filmmcoment

https://www.filmcomment.com/blog/rotterdam-2019-dispatch/?fbclid=IwAR36g-gnXpp-4_zzKNkPcSab7bC6LS8KdjUfeCwAc63cdPx1yfKKQWA1H_k